At art night, anyone can draw. We all start with the same still life—and by the end, no two drawings look the same. A lesson in seeing, observing, and trusting your eyes.

I used to be embarrassed by the mess in my studio. Now I can’t paint without it.

I don’t stage my mess. I paint it.
Traditional still life asks for perfection—polished glass, clean plates, tidy fruit. But what happens when we start painting what’s actually there?